My childhood was shaped by the rhythms and traditions of my birthplace, sparking a curiosity about cultural dependence and heritage. At the same time, I was immersed in the hyper-idealised world of television. The friction between grounded cultural identity and mediated fantasy ignited ontological questions and launched a pattern-recognition–based inquiry into the nature of being.

In a world of exponential change, I see progress as myth. Brand storytelling and techno-scientific advancements reshape contemporary human subjectivity, accentuating natural-cultural hybridization.

My experimentation with found materials and natural processes has culminated in an artistic practice based in sculpture and installation. My works are structured in distinct series, each contributing to an evolving network of interconnected ideas. I explore and reinvent the aesthetic, technical, and sacred domains.

Rooted in the social dynamics of London, I challenge anthropocentric consciousness, uncovering the hidden complexities of our dopamine-rich hyperreality and mapping the interplay between nature and culture, past and future.

Amos Nappo (b. 1999, Italy) is a London based artist that graduated with a BA in Fine Art at Goldsmiths, University of London (2023), where he was also awarded the Business Development Grant.

His debut solo show [Ground] took place at Tilt in Avellino, Italy (2020). Selected London shows include Apocalyptic Changes of state at BWG Gallery (2024), Silent Betwixt at Guts Gallery (2024), The hollow Hour at art’otel London Hoxton (2024), and The Nonexistent Knight at Metamorthika Studio.

His work has been recognised by leading art platforms, for its relevance within today’s shifting cultural landscape—particularly for its distinctive fusion of historical symbolism with contemporary discourse.

Nappo will be part of numerous upcoming group shows throughout 2025, including Symbiotic Epidermis at Hypha Gallery Marble Arch.